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張婉琳 Wan Lin Chang

MA in Interior and Spatial Design

Chelsea College of Art and Design, UAL

London, England, 2008 - 2009

ABC Level 3 Award Designing Book Structures 

London College of Communication, UAL

London, England, 2009

Graduate Diploma in interior Design with Distiction

Chelsea College of Art and Design, UAL

London, England, 2007 - 2008

作品在探索無限詩性的可能

無時間    無邊界的空間維度

 

關於自然

那是身體裡的記憶

 

從孩童時期開始

回渡到自身的

是身旁人們對於自然的開敞

是感知裡所有踏實

 

關於時間

那是頭腦裡的記憶

是所有段面裡拼接的每個當下

 

關於不可靠的記憶

那是靈魂裡的覺知

是所有可能性的連結或不連結

 

這些是每個作品裡欲追求的持續與再訪

將各式的情感

化為輕 化為無

化為無中細微的精巧

 

 

每一作品如同一首詩

少言精語

Wan Lin Chang is an interdisciplinary artist whose work explores the fluid relationships between text, memory, identity, humanistic spaces, and nature. With a Master’s degree in Interior and Spatial Design from Chelsea College of Arts, University of the Arts London, and additional studies in book structure design at the London College of Communication, her practice reflects a balance of conceptual depth and minimalist expression. Through elements collected from everyday life, she transforms painting, installation, sculpture, and mixed-media art into poetic forms.

 

Her work investigates the deconstruction and reconstruction of materials, exploring the connections between seemingly ordinary elements.

 

In her series Invisible Cities, inspired by Italo Calvino’s literary work, she interprets the recurring motif of the number “three” and its multiples through intricate book sculptures.The Mediation engages in a visual dialogue with Eastern and Western art history, collecting and reinterpreting natural textures. In Current, she stitches natural landscapes into fabric, blending the physicality of textiles with the fluidity of organic forms. Reading Between the Lines explores the fluid boundaries between nature and culture, shaped by individual experiences and perceptions. Inspired by architectural forms nestled in mountains and the shifting edges where ridges meet the sky, this series captures the intangible, ever-changing spaces that exist between the familiar and the abstract.Her ongoing project Me and the Leftovers repurposes leftover clay into sculptures, emphasising sustainability and the creative potential of discarded materials.

 

As an artist balancing experimentation and conceptualisation, Wan Lin Chang’s work is frequently exhibited internationally, engaging in comprehensive discussions on the relationship between space, memory, and time. Her art invites the observer to recognise the boundaries between reality and imagination through experiences of personal and collective consciousness.

Wan Lin Chang © 2025

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