
張婉琳 Wan Lin Chang
MA in Interior and Spatial Design
Chelsea College of Art and Design, UAL
London, England, 2008 - 2009
ABC Level 3 Award Designing Book Structures
London College of Communication, UAL
London, England, 2009
Graduate Diploma in interior Design with Distiction
Chelsea College of Art and Design, UAL
London, England, 2007 - 2008
作品在探索無限詩性的可能
無時間 無邊界的空間維度
關於自然
那是身體裡的記憶
從孩童時期開始
回渡到自身的
是身旁人們對於自然的開敞
是感知裡所有踏實
關於時間
那是頭腦裡的記憶
是所有段面裡拼接的每個當下
關於不可靠的記憶
那是靈魂裡的覺知
是所有可能性的連結或不連結
這些是每個作品裡欲追求的持續與再訪
將各式的情感
化為輕 化為無
化為無中細微的精巧
每一作品如同一首詩
少言精語
Wan Lin Chang is an interdisciplinary artist whose work explores the fluid relationships between text, memory, identity, humanistic spaces, and nature. With a Master’s degree in Interior and Spatial Design from Chelsea College of Arts, University of the Arts London, and additional studies in book structure design at the London College of Communication, her practice reflects a balance of conceptual depth and minimalist expression. Through elements collected from everyday life, she transforms painting, installation, sculpture, and mixed-media art into poetic forms.
Her work investigates the deconstruction and reconstruction of materials, exploring the connections between seemingly ordinary elements.
In her series Invisible Cities, inspired by Italo Calvino’s literary work, she interprets the recurring motif of the number “three” and its multiples through intricate book sculptures.The Mediation engages in a visual dialogue with Eastern and Western art history, collecting and reinterpreting natural textures. In Current, she stitches natural landscapes into fabric, blending the physicality of textiles with the fluidity of organic forms. Reading Between the Lines explores the fluid boundaries between nature and culture, shaped by individual experiences and perceptions. Inspired by architectural forms nestled in mountains and the shifting edges where ridges meet the sky, this series captures the intangible, ever-changing spaces that exist between the familiar and the abstract.Her ongoing project Me and the Leftovers repurposes leftover clay into sculptures, emphasising sustainability and the creative potential of discarded materials.
As an artist balancing experimentation and conceptualisation, Wan Lin Chang’s work is frequently exhibited internationally, engaging in comprehensive discussions on the relationship between space, memory, and time. Her art invites the observer to recognise the boundaries between reality and imagination through experiences of personal and collective consciousness.